Chloë  Hanslip

Chloë  Hanslip  (b.  1987)  has  already  established  herself  as  an  artist of distinction on the international stage.

Prodigiously talented, she made her BBC Proms debut in 2002 and her US concerto debut in 2003, and has performed at major venues in the  UK  (Royal  Festival  Hall,  Wigmore  Hall),  Europe  (Vienna  Musikverein, Hamburg Laeiszhalle, Paris Louvre and Salle Gaveau,  St  Petersburg  Hermitage)  as  well  as  Carnegie  Hall,  Metropolitan Arts Space in Tokyo and the Seoul Arts Centre.

Her performances have included the Symphonieorchester des Bayerischen Rundfunks, Philharmonia Orchestra, Royal Philharmonic  Orchestra,  London  Philharmonic,  Beethoven  Orchester Bonn, Bern Symphony Orchestra, Bremen Philharmonic,  City  of  Birmingham  Symphony,  Royal  Liverpool Philharmonic, BBC National Orchestra of Wales, Lahti Symphony, Moscow State Symphony, Norwegian Radio, Real  Filharmonia  Galicia,  Vienna  Tonkünstler  Orchester,  Hamburg  Symfoniker,  Czech  National  Symphony,  Orchestra Sinfonica Nazionale della RAI, Orchestra Regionale Toscana, Helsingborg Symphony, Royal Flemish Philharmonic and the Tampere Philharmonic Orchestra.

Further afield her engagements include the Cincinnati Symphony,  Detroit  Symphony,  Houston  Symphony,  Tokyo  Metropolitan  Symphony,  Malaysia  Philharmonic,  Adelaide Symphony, Auckland Philharmonina and the Singapore Symphony Orchestra. She has collaborated with  conductors  such  as  Sir  Neville  Marriner,  Sir  Andrew  Davis,  Mariss  Jansons,  Paavo  Järvi,  Charles  Dutoit,  Michail Jurowski and Jeffrey Tate.

Chloë  has  an  extensive  discography,  most  recently  recording  for  Hyperion,  her  first  release  on  the  label  featured Violin Concertos by Vieuxtemps (Royal Flemish Philharmonic Orchestra/Brabbins). Her CD of York Bowen Sonatas with Danny Driver received recommendations from Gramophone (Choice) and The Strad and her other Hyperionrecordings include Glazunov/Schoeck Concertos and Medtner Violin Sonatas. Other notable recordings include Bruch Concertos with the London Symphony Orchestra (Warner Classics) for which she won the  Echo  Klassik  Award  for  ‘Best  Newcomer'  (2002)  and  'Young  British  Classical  Performer'  at  the  Classical  BRITS (2003), and a highly acclaimed recording of John Adams Violin Concerto with the Royal Philharmonic Orchestra/Slatkin.

Hanslip’s  wide-­‐ranging  repertoire  spans  Concertos  by  Britten,  Prokofiev,  Beethoven,  Brahms,  Korngold,  Shostakovich, Barber, Bernstein, Delius, Mendelssohn, Bruch, Elgar, Tchaikovsky, Walton and Sibelius. With a particular  passion  for  contemporary  repertoire,  in  recent  years  she  has  performed  works  by  Adams,  Glass,  Corigliano, Nyman, Huw Watkins, Peter Maxwell Davies and Brett Dean. A committed chamber musician, she is a  regular  participant  in  Open  Chamber  Music  at  Prussia  Cove  and  at  the  Kuhmo  Chamber  Music  Festival  in  Finland. Her recital partners include Angela Hewitt, Danny Driver, Igor Tchetuev and Charles Owen.

Highlights  of  the  2016-­‐17  season  include  concerto  performances  with  the  Royal  Philharmonic,  Bournemouth  Symphony, BBC National Orchestra of Wales, Orchestra della Toscana, Auckland Philharmonia and Malmo Symphony. With regular duo partner Danny Driver, she undertakes a complete Beethoven Violin Sonata cycle at  Turner  Sims  Concert  Hall,  a  recital  at  London’s  Wigmore  Hall  and  will  continue  her  chamber  music  collaborations at the Bergen Festival.

Chloë  studied  for  ten  years  with  the  Russian  pedagogue  Zakhar  Bron.  She  has  also  worked  with  Christian  Tetzlaff, Robert Masters, Ida Haendel, Salvatore Accardo, and Gerhard Schulz.

She plays a Guarneri del Gesu 1737.