Her programme seemed as if it was designed specially for Breinton. Pianist Clare Hammond gave the Breinton audience a perfect musical evening featuring the works of composers ranging over four centuries.
The programme began with Brahms's transcription of Chaconne, undoubtedly Bach's most masterful and powerful unaccompanied violin composition. Transcribed in this version for the left hand only, it was meant to be a study rather than a concert piece. However as David Mather wrote in the programme note, "while it may properly belong in the practice room, it makes an interesting curio for the concert hall". Exactly right; I think the whole audience was curious and looking forward to hearing this challenging piece of work. The seemingly impossible spread of chords and enlarged harmonies were managed excellently, together with effective