Good things happen when you are least expecting. Breinton has seen many of these miracles in the past years, particularly during the unforgettable season in 2025. And it has happened again. We are now welcoming the Sitkovetsky Trio, the highly acclaimed, world-class piano trio who continue to impress many critics. Their wonderful Romantic-focused programme of Bruch, Chaminade and Brahms will undoubtedly extract their strengths to the full. We look forward to their seamless ensemble and intimate conversational flow which will breathe life into the music.
Ticket Information
Tickets will go on sale on Sunday 1 February 2026 at 12 noon.
Ticket price: £30
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Bruch: Eight Pieces op 83 arranged for violin, cello and piano
- VI. Nachtgesang. Andante con moto
- II. Allegro con moto
- III. Allegro con moto - Andante
- VII. Allegro vivace, ma non troppo
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Chaminade: Trio No 2, op. 34
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Brahms: Piano Trio No. 2 in C Major, Op. 87
The Sitkovetsky Trio has established itself as an outstanding piano trio. With its thoughtful and committed approach, the ensemble is critically acclaimed and has been invited to perform in the most prestigious concert halls worldwide – including the Concertgebouw in Amsterdam, the Alte Oper Frankfurt, the Palais des Beaux-Arts in Brussels, the Musée du Louvre in Paris, the Auditori in Barcelona, Wigmore Hall in London and the Lincoln Center in New York.
Alexander Sitkovetsky was recently announced as the Artistic Director of the renowned NFM Leopoldinum Orchestra Wroclaw, Poland, taking up his position from the 2023-24 season.
Alexander was born in Moscow into a family with a well-established musical tradition. He made his concerto debut at the age of eight, and the same year moved to study at the Yehudi Menuhin School where he is now an Associate Artist. Lord Menuhin was his inspiration throughout his school years, and they performed together on several occasions.
Wu Qian was born in Shanghai, where she received her early training before joining the Yehudi Menuhin School at thirteen.
In 2000, she played her debut recital at the South Bank Purcell Room and has played at international venues including London’s St John’s Smith Square, Queen Elizabeth Hall, Royal Festival Hall and Wigmore Hall, the Amsterdam Concertgebouw and the Kennedy Centre, Washington DC. She has played with the Brussels Philarmonic and Munchen Symphoniker.
Isang Enders has quickly established himself as a dynamic artist in search of new-concepts and works for the violoncello. Born into a German-Korean musician family in Frankfurt in 1988, Isang Enders began studying with Michael Sanderling at the age of twelve. His playing has since been influenced by his studies with Gustav Rivinius, Truls Mørk, and above all, by the mentoring of the American cellist Lynn Harrell.
Information
- Tickets are £30 each; seats are guaranteed but not reserved
- Car parking is included
- Snacks and drinks (included in ticket price) will be served during the interval
- Prices broadly cover the cost of musicians; your voluntary donation will help us to continue to run these recitals
- Recitals take place at Breinton, Heath House Road, Woking GU22 0RD - get directions
- Car parking is available from 7:00 pm; Doors will open at 7:15 pm; Performance at 7:30 pm
- Tickets must be purchased in advance from this website.
Booking Terms
- All ticket sales are final and non-refundable. This means that we cannot return your payment if you are unable to attend an event. Your payment will be refunded in full if we have to cancel a recital. Donations are non-refundable.
- Tickets may be transferred to others. This means that you may give away or sell your tickets to someone else. Tickets are not transferable to another recital or another date.
- If you are unable to attend a recital that you have booked and paid for, we may be able to help you transfer your tickets to another member. If we successfully transfer your ticket to another member, an administrative charge equal to 30% of the ticket price will be payable. This should be done no less than three days before the recital.
- Attendees may be captured in recital audio, still, or video recordings; please let us know if you do not consent or wish to be excluded from any marketing materials.